Listen—" He unfolded himself from the workbench, lifted the harp, and ran his hands along the strings. Paks had never heard that music before, but shivers ran up her spine.
"Do you know 'Torre's Ride'?" asked Arñe, nudging Paks forward.
"Certainly—three versions. Where are you from?"
"From the north—from Tsaia."
"Hmm." He paused to adjust a tuning peg. Then the thrilling sound rang out, one of the few songs Paks had learned before leaving home. She found herself humming along; Arñe was murmuring the words, as was Coben. The instrument maker finished a verse with a flourish. "There you are. But are any of you players?"
Paks could have listened all afternoon. She shook her head, and Arñe said "No, sir," and he went back to his bench, shaping a little piece of wood with a small chisel. Paks wondered which instrument it was for, and where it would fit, but was too shy to ask. They left that shop and moved on.
She found the surprise for Saben several shops down. Here were trays of religious symbols, carved of the appropriate stone or metal. Most she did not know. The crescent and cudgel of Gird were familiar, and the Holy Circle, and the wheatsheaf of the Lady of Peace. The sword of Tir was there, both plain and cleverly set with a tiny jewel in the pommel. But whose was the leaping fish, or the tree, or the arch of tiny stars? She looked at tiny golden apples, at green leaves, at anvils, hammers, spears, fox or wolf heads, little human figures clothed in flowers (swirling hair made the loop for hanging). Here was the antlered figure of Guthlac, and the double-faced r